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takes strong issue with the inaccurate and heavily slanted portrayal of our company in the Netflix film, Bob Ross: Happy Accidents, Betrayal & Greed,” the statement begins. … But he didn’t get to take hold of it at all.”īut according to BRI - the company solely owned by Ross’ longtime business partners following his death and currently run by their daughter Joan - it has been misrepresented. And because at the time Steve was so young, Bob thought, you know, let’s have an adult still guiding him with where he’s going to take this company. And very quickly, that was kind of taken through litigation. “Bob certainly wanted it to go to - most of the business - to his son,” she said. While speaking to NPR, McCarthy supported Steve’s argument that his father wanted his business to go to him. Included among those are that the Kowalskis have improperly commercialized and profited from Ross’ image after seizing control of his name and likeness over time from his son, Steve Ross.

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claims that although the doc’s portrayal of the painter and TV icon’s “inspiring positive outlook” was accurate, the filmmakers’ failed to offer them a proper chance to respond to allegations made in the documentary. “Even as we’re having this discussion with you now, we’ve been kind of warned to keep to the basics, try not to get too into it because we will get sued.”īut in a public statement posted to the company’s website Wednesday, Bob Ross Inc. “Everyone’s afraid of getting sued,” Falcone said. “And I would venture to guess that business is always much more complicated than the personality that they lead with.”įalcone elaborated further, speculating that people’s hesitancy to participate was potentially due to fears of BRI pursuing legal action against them. “When someone is an artist, no matter what their medium is, … there’s a business behind it,” McCarthy added. “That was when we sort of figured out, oh, boy, this might be a little different than what we thought it was going to be,” Falcone told NPR. It was something, according to McCarthy and Falcone, that Rofé and Berger hadn’t experienced to this degree very often. Speaking to their process for uncovering that complicated story around The Joy of Painting host, the duo said the film’s team faced challenges, especially when it came to getting people to speak on the record.

We found out things about him that we didn’t expect.

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And I think the filmmakers, Josh and Steven, really did a nice job of making a … complicated, balanced movie out of a character that is complicated. We were surprised to uncover some of the things we uncovered. “We’ve never intended to set out and create a hit piece,” Falcone said. On the day of the doc’s release, McCarthy and Falcone told NPR that in terms of how Ross comes across in the film, they came into production as fans and that there were things that surprised even them during the filmmaking process. 'Squid Game' Creator Says He's in Talks With Netflix About Season 3 It also suggests an affair between Annette and Bob. The doc ultimately suggests that Ross’ longtime business partners strong-armed his heir, his late third wife and his half-brother out of profits and parts of his estate that controlled how his legacy was to be used. It also chronicles his death and the eventual legal battles that ensued between Ross’ son, Steve, who serves as a central character, and the Kowalskis, whose input is largely lacking from the film.

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co-founders Walt and Annette Kowalski, who helped the painter find professional success. The film follows Ross’ career, centering heavily on his relationship with Bob Ross Inc. says that although the film “accurately captured” the famed TV painter, it’s an “inaccurate and heavily slanted portrayal of our company.” Bob Ross: Happy Accidents, Betrayal, and Greed producers Melissa McCarthy and Ben Falcone say they “never intended to set out and create a hit piece” about the art instructor and TV host with their new Netflix doc, which chronicles the life, work and unexpectedly dark legal legacy of the Joy of Painting star.